Photoshop Workbench!

I’m very happy to finally announce that I’m starting a new column in Photoshop User Magazine (kelbyone.com): Photoshop Workbench! Join me as I put Photoshop tools up on the workbench and tinker with their innards, figuring out how to use them and sometimes finding something new. Whenever possible, I’ll set up experiments that you can…

ADIM14 in the Bag!

I’m still processing a bit, but I just had to get some thoughts down on my recent trip to Boulder, Co for ADIM14. Lead by Russell Brown, this event is “off the hook”, if I may quote Wacom’s Wes Maggio. I had no idea what to expect going in, and now I can’t believe it’s…

HPoAL Cover Image

The Hidden Power of Adjustment Layers

My 2nd solo book is out from Adobe Press. I took a good look at the criticism and feedback from The Hidden Power of Blend Modes, and tried to incorporate what I learned from that book. This new title stretches out a bit, adding more text and explanation to the techniques, so there are fewer total recipes but each one is broader in scope.

DIY Strip Box

I’m experimenting more with portrait lighting, trying to dial in something that doesn’t look like a department store. One look I keep coming back to uses a single strip light. Some of the commercial versions are very expensive, and the DIY versions seem to have some inherent flaws that make them less flexible or sturdy than I’d like.

This version is my first attempt at addressing as many of these problems as I can. Total cost is about $20US, and roughly 30 minutes of time.

Wacom Wolverine

Wacom WolverineRecently, I got bored and broke out a backdrop and light stand just to see what I could learn about shooting self-portraits. This is mostly because I don’t have many willing subjects. Also, the majority of my photo projects feature some kind of problem-solving aspect (that’s how I learn), and are typically seat-of-the-pants affairs – I don’t have any real idea of what I want. Inflicting my mental ramblings on a person in real time is not likely to be pleasant for either of us, so I tend towards inanimate objects that don’t complain when I constantly fiddle with lights, camera position, angles, etc.

However, I have LOTS of project ideas for people rolling around in my head. So I figured I should step in front of the camera and do some experimenting.